Expected learning outcomes
An understanding of significant properties determining the conservation and display of time-based artworks
What is the target audience?
Anyone interested in digital preservation of complex objects.
Level of advancement/ prerequisites
Time required for completion23 min
Rechert, K et al. Introduction to an emulation-based preservation strategy for software-based artworks, 2016
Falcao, P., Ashe, A., Jones, B.: Virtualisation as a tool for conservation of software-based artworks, 2014.
Vivian van Saaze, Installation Art and the Museum: Presentation and Conservation of Changing Artworks, Amsterdam University Press 2013
Vinzenz Hediger, Barbara Le Maitre, Julia Noordegraaf, Cosetta Saba (eds.), Preserving and Exhibiting Media Art: Challenges and Perspectives, Amsterdam University Press, 2013
Laurenson,P. Authenticity, Change and Loss in the Conservation of Time-Based Media Installations, Tate Papers, Issue 6, 2006
Engel, D. and Wharton,G. Reading between the lines: Source code documentation as a conservation strategy for software-based art. Studies In Conservation Vol. 59 , Iss. 6,2014
Rice, D. Sustaining Video Preservation, 2015